Grammy Awards per l'anno 2001
Il 44° Grammy Awards fu tenuto il 27 Febbraio 2002. I
riconoscimenti riguardavano le realizzazioni dei musicisti per l'anno
precedente.
- Record of the Year
- Brian Eno, Daniel Lanois (producers), Steve
Lillywhite (engineer/mixer) & U2 for "Walk
On"
- Album of the Year
- T Bone Burnett (producer), Peter Kurland, Mike
Piersante (engineers/mixers), Gavin Lurssen (mastering
engineer), Harley Allen, Norman Blake, Sam Bush,
Mike Compton, The Cox Family, Stuart Duncan, Pat
Enright, The Fairfield Four, Emmylou Harris, John
Hartford, Chris Thomas King, Alison Krauss &
Union Station;, Tim Blake Nelson The Peasall
Sisters, Chris Sharp, Ralph Stanley, Gillian
Welch & The Whites for O Brother, Where
Art Thou
- Song of the Year
- Alicia Keys for "Fallin'"
- Best New Artist
Special Merit Awards
- Lifetime Achievement Award
- The Beach Boys
- Tony Bennett
- Sammy Davis Jr
- Bob Marley
- The Who
- Trustees Award
- Tech Award
Alternative
- Best Alternative Music Album
- Guy Berryman, Jon Buckland, Will Champion, Chris
Martin (producers), Ken Nelson (producer &
engineer), Michael H. Brauer (engineer) &
Coldplay for Parachutes performed by
Coldplay
Blues
- Best Traditional Blues Album
- John P. Hampton, Jared Tuten (engineers) &
Jimmie Vaughan (producer & artist) for Do
You Get the Blues?
- Best Contemporary Blues Album
- Delbert McClinton, Gary Nicholson (producers),
Richard Dodd, Don Smith (engineers) & Delbert
McClinton for Nothing Personal
Children's
- Best Musical Album for Children
- Ed Mitchell (producer), Jimmy Hoyson & Ric
Wilson (engineers) for Elmo & the
Orchestra; performed by the Sesame
Street cast
- Best Spoken Word Album for Children
- Arnold Cardillo (producer), Rory Young (engineer)
& Tom Chapin for Mama Don't Allow
Classical
- Best Orchestral Performance
- Helmut Burk & Karl-August Naegler (producers),
Jobst Eberhardt, Stephan Flock (engineers),
Pierre Boulez (conductor) & the Chicago
Symphony Orchestra for Boulez Conducts Edgar
Varèse (Amériques; Arcana; Déserts; Ionisation)
- Best Classical Vocal Performance
- Christopher Raeburn (producer), Jonathan Stokes (engineer),
Bernhard Forck (conductor), Cecilia Bartoli &
the Akademie für Alte Musik Berlin for Dreams
& Fables - Gluck Italian Arias (Tremo Gra'
Fubbi Miei; Die Questa Cetra In Seno, etc.)
- Best Opera Recording
- James Mallinson (producer), Simon Rhodes (engineer),
Colin Davis (conductor), Michelle DeYoung, Ben
Heppner, Petra Lang, Peter Mattei, Stephen
Milling, Sara Mingardo, Kenneth Tarver & the
London Symphony Orchestra for Berlioz: Les
Troyens
- Best Choral Performance
- Martin Sauer (producer), Michael Brammann (engineer),
Nikolaus Harnoncourt (conductor), Norbert
Balatsch, Erwin Ortner (chorus masters), Bernarda
Fink, Matthias Goerne, Dietrich Henschel,
Elisabeth von Magnus, Christoph Prégardien,
Dorothea Röschmann, Michael Schade, Christine
Schäfer, Markus Schäfer, Oliver Widmer, the
Arnold Schoenberg Choir, Wiener Sängerknaben
& Concentus Musicas Wien for Bach: St.
Matthew Passion
- Best Instrumental Soloist(s) Performance (with orchestra)
- Martin Fouqué (producer), Eberhard Sengpiel (engineer),
Daniel Barenboim, Dale Clevenger, Larry Combs,
Alex Klein, David McGill & the Chicago
Symphony Orchestra for Richard Strauss Wind
Concertos (Horn Concerto; Oboe Concerto, etc.)
- Best Instrumental Soloist Performance (without orchestra)
- Arne Akselberg (producer & engineer) &
Truls Mork (producer & artist) for Benjamin
Britten Cello Suites (1 - 3)
- Best Small Ensemble Performance (with or without
conductor)
- Helmut Mühle (producer), Philipp Nedel (engineer),
Gidon Kremer (producer & artist) &
Kremerata Baltica for After Mozart
- Best Chamber Music Performance
- Joanna Nickrenz (producer), Marc J. Aubort (engineer)
& The Angeles String Quartetfor Joseph
Haydn: The Complete String Quartets
- Best Classical Contemporary Composition
- Christopher Rouse (composer), Muhai Tang (conductor),
Sharon Isbin & the Gulbenkian Orchestra for Concert
de Gaudí for Guitar and Orchestra
- Best Classical Album
- James Mallinson (producer), Simon Rhodes (engineer),
Colin Davis (conductor), Michelle DeYoung, Ben
Heppner, Petra Lang, Peter Mattei, Stephen
Milling, Sara Mingardo, Kenneth Tarver & the
London Symphony Orchestra & Chorus for Berlioz:
Les Troyens
- Best Classical Crossover Album
- Edgar Meyer (producer), Robert Battaglia (engineer),
Béla Fleck (producer & artist), Joshua Bell,
Evelyn Glennie, Gary Hoffman, Edgar Meyer, Chris
Thile & John Christopher Williams for Perpetual
Motion
Composing and arranging
- Best Instrumental Composition
- Alan Silvestri (composer) for "Cast Away
End Credits"
- Best Song Written for a Motion Picture, Television or
Other Visual Media
- John Flansburgh & John Linnell (songwriters)
for "Boss of Me" (Malcolm in the
Middle) performed by They Might Be Giants
- Best Score Soundtrack Album for a Motion Picture,
Television or Other Visual Media
- Steven Epstein (producer), Richard King, Lu Xiao
Xing & Xu Gou Qin (engineers) & Tan Dun (producer
& composer) for Crouching Tiger, Hidden
Dragon
- Best Instrumental Arrangement
- Béla Fleck & Edgar Meyer (arrangers) for
"Debussy: Doctor Gradus Ad Parnassum"
performed by Béla Fleck with Joshua Bell &
Gary Hoffmann
- Best Instrumental Arrangement Accompanying Vocalist(s)
- Paul Buckmaster (arranger) for "Drops of
Jupiter" performed by Train
Country
- Best Female Country Vocal Performance
- Best Male Country Vocal Performance
- Ralph Stanley for "O Death"
- Best Country Performance by a Duo or Group with Vocal
- Alison Krauss & Union Station; for "The
Lucky One"
- Best Country Collaboration with Vocals
- Harley Allen, Pat Enright & Dan Tyminski (The
Soggy Bottom Boys) for "I am a Man of
Constant Sorrow"
- Best Country Instrumental Performance
- Jerry Douglas, Gen Duncan, Vince Gill, Albert Lee,
Steve Martin, Leon Russell, Earl Scruggs, Gary
Scruggs, Randy Scruggs, Paul Shaffer & Marty
Stuart for "Foggy Mountain Breakdown"
- Best Country Song
- Robert Lee Castleman (songwriter) for "The
Lucky One" performed by Alison Kraus &
Union Station;
- Best Country Album
- Bonnie Garner, Luke Lewis & Mary Martin (producers)
& various artists for Hank Williams
Tribute
- Best Bluegrass Album
- Gary Paczosa (engineer) & Alison Krauss &
Union Station; (producers and artists) for New
Favorite
Film/TV/Media
- Best Compilation Soundtrack Album for a Motion Picture,
Television or Other Visual Media
- T Bone Burnett (producer), Peter Kurland &
Mike Piersante (engineers) for O Brother,
Where Art Thou performed by various artists
Folk
- Best Traditional Folk Album
- T Bone Burnett (producer) & Mike Piersante (engineer)
for Down from the Mountain performed by
various artists
- Best Contemporary Folk Album
- Chris Shaw (engineer) & Bob Dylan (producer
& artist) for Love and Theft
- Best Native American Music Album
- Giuli Doyle, Robert Doyle (producers) Jack Miller
(engineer), Johnny Mike & Verdell Primeaux
for Bless the People - Harmonized Peyote
Songs
Gospel
- Best Pop/Contemporary Gospel Album
- Brown Bannister (producer), Steve Bishir, Reid
Shippen (engineers) & for CeCe Winans
- Best Rock Gospel Album
- Best Traditional Soul Gospel Album
- John Chelew (producer), Larry Hirsch, Jimmy
Hoyson (engineers) & the Blind Boys of
Alabama for Spirit of the Century
- Best Contemporary Soul Gospel Album
- Benjamin J. Arrindell, Biff Dawes, Derek Lewis (engineers)
& Yolanda Adams for The Experience
- Best Southern, Country or Bluegrass Gospel Album
- Chad Evans (engineer) & Bill Gaither (producer)
for Bill & Gloria Gaither Present a Billy
Graham Music Homecoming performed by Bill
& Gloria Gaither & the Homecoming Friends;
- Best Gospel Choir or Chorus Album
- Greg Hartman, John Jaszcz (engineers), Hezekiah
Walker (choir director) & the LFT Church
Choir for Love Is Live!
Historical
- Best Historical Album
- Michael Brooks, Michael Cuscuna (producers), Matt
Cavaluzzo, Harry Coster, Seth Foster, Darcy
Proper, Ken Robertson & Mark Wilder (engineers)
for Lady Day: The Complete Billie Holiday on
Columbia 1933-1944
Jazz
- Best Contemporary Jazz Performance, Instrumental - Also
cont. Jazz Performance Vocal or Instrumental
- Khaliq-O-Vision, Ray Bardani (engineers), David
Isaac & Marcus Miller (producers) for M
performed by Marcus Miller
- Best Jazz Vocal Album
- Erik Zobler (engineer) & George M. Duke (producer)
for The Calling performed by Dianne
Reeves
- Best Jazz Instrumental Performance, Soloist
- Michael Brecker for "Chan's Song"
- Best Instrumental Jazz Performance, Individual or Group
- Troy Halderson (engineer), Lucille Rollins &
Sonny Rollins (producers) for This Is What I
Do performed by Sonny Rollins
- Best Large Jazz Ensemble Performance
- Tom Jung (engineer), Bob Mintzer & Tom Jung (producers)
for Home to Count Basie performed by the
Bob Mintzer Big Band
- Best Latin Jazz Performance
- Jay Newland (engineer), Charlie Haden &
Gonzalo Rubalcaba (producers) for Nocturne
performed by Charlie Haden
Latin
- Best Latin Pop Performance
- Joe Reyes, Michael Morales,Ronald Morales (engineers
& producers) for La Musica de Baldemar
Huerta performed by Freddy Fender
- Best Tropical Latin Performance
- Sebastian Krys (producer) for Dejame Entrar
performed by Carlos Vives
- Best Mexican-American/Tejano Music Performance
- Freddie Martinez, Jr, (engineer and producer),
Greg Garcia (engineer) & Ramón Ayala (producer)
for En Vivo...El Hombre y Su Musica
performed by Ramón Ayala y Sus Bravos Del Norte
- Best Latin Rock/Alternative Performance
- Ozomatli for Embrace the Chaos
- Best Tejano Music Performance
- Ramiro Serna, Jr (engineer), Amado Garza, Jr, Ben
De León, Medardo Garza, Otoniel Peña Jr &
Rolando Benavidez (producers) for Nadie Como
Tu performed by [Solido]]
- Best Salsa Performance
- Gustavo Celis, Ricky Blanco (engineers) &
Robert Blades (producer) for Encore
performed by Robert Blades
- Best Merengue Performance
- Eric Schilling (engineer) & Olga Tañon (producer)
for Yo Por Tí performed by Olga Tañón
Musical Show
- Best Musical Show Album
- Cynthia Daniels (engineer) for The Producers
performed by the Broadway cast (including Nathan
Lane, Matthew Broderick)
Music Video
- Best Music Video, Short Form
- Spike Jonze (director), Deannie O'Neil, Vincent
Landay (producers), Bootsy Collins & Fatboy
Slim for "Weapon of Choice" performed
by Fatboy Slim featuring Bootsy Collins
- Best Music Video, Long Form
- Susan Froemke (director & producer) &
Peter Gelb (producer) for Recording the
Producers - A Musical Romp with Mel Brooks
performed by Mel Brooks (and others)
New Age
- Best New Age Album
- Nicky Ryan (engineer & producer) for A
Day Without Rain performed by Enya
Packaging and Notes
- Best Album Package - Incl. Album Cover, Graphic Arts,
Photography
- Tchocky (art director) for Amnesiac (Special
Limited Edition)performed by Radiohead
- Best Recording Package - Boxed
- Steve Vance (art director) for Brain in a Box
- The Science Fiction Collection performed
by Various Artists
- Best Album Notes
- Elijah Wald (notes writer) for Arhoolie
Records 40th Anniversary Collection: 1960-2000
the Journey of Chris Strachwitz performed by
various artists
- Walter Mosley (notes writer) for Richard
Pryor...And It's Deep Too! The Complete Warner
Bros. Recordings (1968-1992)
Polka
- Best Polka Album
- Jim Uzwack (engineer), Jimmy Sturr, Kenneth R.
Irwin & Tom Pick (engineers & producers)
for Gone Polka performed by Jimmy Sturr
Pop
- Best Female Pop Vocal Performance
- Nelly Furtado for "I'm Like a Bird"
- Best Male Pop Vocal Performance
- James Taylor for "Don't Let Me Be Lonely
Tonight"
- Best Pop Performance by a Duo or Group with Vocal
- U2 for "Stuck in a Moment You Can't Get Out
Of"
- Best Pop Collaboration with Vocals
- Pink for "Lady Marmalade" performed by
Christina Aguilera, Lil' Kim, Mya & Pink
- Best Pop Instrumental Performance
- Eric Clapton for "Reptile"
- Best Pop Vocal Album
- Mike Pela (engineer & producer) & Sade
Adu (producer) for Lovers Rock performed
by Sade
- Best Dance Recording
- Steve Hodge (mixer), Janet Jackson, Jimmy Jam
& Terry Lewis (producers) for "All For
You" performed by Janet Jackson
- Best Pop Instrumental Album
- Steve Vai (engineer & producer), Yoshiyasu
Kumada (engineer) & Steven Lukather (producer)
for No Substitutions - Live in Osaka
performed by Larry Carlton & Steve Lukather
Production and engineering
- Best Engineered Recording, Non-Classical
- Al Schmitt (engineer) for The Look of Love
performed by Diana Krall
- Producer of the Year, Non-Classical
- Best Classical Engineered Recording
- Joshua Bell for Bernstein (Arr. Brohn &
Corigliano): West Side Story Suite (Lonely Town;
Make Our Garden Grow, Etc.)
- Classical Producer of the Year
- Best Remixed Recording , Non-Classical
- Deep Dish (remixer) for "Thank You" (Deep
Dish Vocal Remix) performed by Dido
R&B
- Best Female R&B Vocal Performance;
- Alicia Keys for "Fallin'"
- Best Male R&B Vocal Performance;
- Best R&B Performance by a Duo or Group with Vocal;
- Destiny's Child for "Survivor"
- Best R&B Song;
- Alicia Keys for "Fallin'"
- Best R&B Album;
- Kerry Krucial Brothers (engineers) & Alicia
Keys (producer) for Songs in A Minor
performed by Alicia Keys
- Best Traditional R&B Vocal Performance;
- Gladys Knight for At Last
Rap
- Best Rap Solo Performance
- Missy Elliott for "Get Ur Freak On"
- Best Rap Performance by a Duo or Group
- OutKast for "Ms. Jackson"
- Best Rap Album
- David Sheats (producer) for Stankonia
performed by OutKast
- Best Rap/Sung Collaboration
- Eve featuring Gwen Stefani for "Let Me Blow
Ya Mind"
Reggae
- Best Reggae Album
- Arlick Thompson (engineer) & Stephen Marley (producer)
for Halfway Tree performed by Damian
Marley
Rock
- Best Female Rock Vocal Performance
- Lucinda Williams for "Get Right With God"
- Best Male Rock Vocal Performance
- Lenny Kravitz for "Dig In"
- Best Rock Performance by a Duo or Group with Vocal
- Best Hard Rock Performance
- Linkin Park for "Crawling"
- Best Metal Performance
- Best Rock Instrumental Performance
- Jeff Beck for "Dirty Mind"
- Best Rock Song
- Scott Underwood (songwriter) for "Drops of
Jupiter" performed by Train
- Best Rock Album
- Richard Rainey (engineer), Brian Eno & Daniel
Lanois (producers) for All That You Can't
Leave Behind performed by U2
Spoken
- Best Spoken Word or Non-musical Album
- Jeffrey S. Thomas, Steven Strassman (engineers)
& Elisa Shokoff (producer) for Q: The
Autobiography of Quincy Jones
- Best Spoken Comedy Album
- John Runnette (producer) for Napalm &
Sillyputty performed by George Carlin
Trad Pop
- Best Traditional Pop Vocal Performance
- Gregg Rubin (engineer) & Tracey Freeman (producer)
for Songs I Heard performed by Harry
Connick Jr
World
- Best World Music Album
- Tom Lazarus (engineer) & Hans Wendl (producer)
for Full Circle/Carnegie Hall 2000
performed by Ravi Shankar
2000 2002
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