Grammy Awards per l'anno 1963
Il 6° Grammy Awards fu tenuto il 12 Maggio 1964. I
riconoscimenti riguardavano le realizzazioni dei musicisti per l'anno
precedente.
- Record of the Year
- Henry Mancini for "Days of Wine and Roses"
- Album of the Year (other than classical)
- Barbra Streisand for The Barbra Streisand
Album
- Song of the Year
- Henry Mancini & Johnny Mercer (songwriters)
for "Days of Wine and Roses" performed
by Henry Mancini
- Best New Artist
- Ward Swingle (The Swingle Singers)
Children's
- Best Recording for Children
- Leonard Bernstein (conductor) for Bernstein
Conducts for Young People performed by the
New York Philharmonic
Classical
- Best Classical Performance - Orchestra
- Erich Leinsdorf (conductor) & the Boston
Symphony Orchestra for Bartók: Concerto for
Orchestra
- Best Classical Performance - Vocal Soloist (with or
without orchestra)
- Skitch Henderson (conductor), Leontyne Price
& the RCA Orchestra for Great Scenes From
Gershwin's Porgy and Bess
- Best Opera Recording
- Erich Leinsdorf (conductor), Rosalind Elias,
Leontyne Price, Richard Tucker & the RCA
Italiana Opera Orchestra for Puccini: Madama
Butterfly
- Best Classical Performance - Choral (other than opera)
- Benjamin Britten (conductor), Edward Chapman,
David Willcocks (choir directors), the Bach Choir,
Highgate School Choir & the London Symphony
Orchestra & Choir; for Britten: War
Requiem
- Best Classical Performance - Instrumental Soloist or
Soloists (with orchestra)
- Erich Leinsdorf (conductor), Artur Rubinstein
& the Boston Symphony Orchestra for Tchaikovsky:
Piano Concerto No. 1 in B Flat Minor
- Best Classical Performance - Instrumental Soloist or Duo
(without orchestra)
- Vladimir Horowitz for The Sound of Horowitz
- Best Classical Music Performance - Chamber Music
- Julian Bream for Evening of Elizabethan Music
performed by the Julian Bream Consort
- Best Classical Composition by a Contemporary Composer
- Benjamin Britten (composer & conductor) &
the London Symphony Orchestra for Britten:
War Requiem
- Best Classical Album
- Benjamin Britten (conductor) & the London
Symphony Orchestra for Britten: War Requiem
- Most Promising New Classical Recording Artist
Comedy
- Best Comedy Performance
- Allan Sherman for "Hello Mudduh, Hello
Faddah"
Composing and arranging
- Best Instrumental Theme
- Riz Ortolani (composer) for "More - Theme
From Mondo Cane"
- Best Original Score from a Motion Picture or Television
Show
- John Addison (composer) for Tom Jones
- Best Instrumental Arrangement
- Quincy Jones (arranger) for "I Can't Stop
Loving You" performed by Count Basie
- Best Background Arrangement
- Henry Mancini (arranger) for "Days of Wine
and Roses"
Country
- Best Country & Western Recording;
- Bobby Bare for "Detroit City"
Folk
- Best Folk Recording
- Peter, Paul and Mary for "Blowin' in the
Wind"
Gospel
- Best Gospel or Other Religious Recording (Musical)
- Soeur Sourire for "Dominique"
Jazz
- Best Instrumental Jazz Performance, Individual or Group
- Bill Evans for Conversations With Myself
- Best Large Jazz Ensemble Performance
- Woody Herman for Encore: Woody Herman, 1963
- Best Original Jazz Composition
- Ray Brown & Steve Allen (composers) for
"Gravy Waltz" performed by Steve Allen
Musical Show
- Best Musical Show Album
- Sheldon Harnick (composer) for She Loves Me
performed by the original cast
Packaging and Notes
- Best Album Cover
- John Berg (art director) for The Barbra
Streisand Album performed by Barbra
Streisand
- Best Album Cover, Classical
- Robert M. Jones (art director) for Puccini:
Madama Butterfly conducted by Erich
Leinsdorf
- Best Album Notes
- Leonard Feather & Stanley Dance (notes
writers) for The Ellington Era performed
by Duke Ellington
Pop
- Best Female Pop Vocal Performance
- Barbra Streisand for The Barbra Streisand
Album
- Best Male Pop Vocal Performance
- Jack Jones for "Wives and Lovers"
- Best Pop Performance by a Duo or Group with Vocal
- Peter, Paul and Mary for "Blowin' in the
Wind"
- Best Performance by a Chorus
- Ward Swingle for Bach's Greatest Hits
- Best Performance by a Band for Dancing
- Count Basie for This Time by Basie! Hits of
the 50's and 60's
- Best Performance by an Orchestra or Instrumentalist With
Orchestra, Not for Jazz or Dancing
- Best Rock and Roll Recording
- Nino Tempo for "Deep Purple" performed
by April Stevens & Nino Tempo
Production and engineering
- Best Engineered Recording, Non-Classical
- James Malloy (engineer) for Charade
performed by Henry Mancini
- Robert Fine (engineer) for Civil War Vol. II
performed by Frederick Fennell
- Best Classical Engineered Recording
- Lewis W. Layton (engineer) for Puccini:
Madama Butterfly conducted by Erich
Leinsdorf
R&B
- Best Rhythm & Blues Performance;
Spoken
- Best Spoken Word or Non-musical Album
- Edward Albee (playwright) for Who's Afraid of
Virginia Woolf? performed by the original
cast.
1962 1964
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