Grammy Awards per l'anno 1967
Il 10° Grammy Awards fu tenuto il 29 Febbraio 1968. I
riconoscimenti riguardavano le realizzazioni dei musicisti per l'anno
precedente.
- Record of the Year
- Johnny Rivers & Marc Gordon (producers) &
5th Dimension for "Up, Up and Away"
- Album of the Year
- George Martin (producer) & The Beatles for Sgt.
Pepper's Lonely Hearts Club Band
- Song of the Year
- Jimmy L. Webb (songwriter) for "Up, Up and
Away" performed by 5th Dimension
- Best New Artist
Children's
- Best Recording for Children
- Boris Karloff for Dr. Seuss: How the Grinch
Stole Christmas
Classical
- Best Classical Performance - Orchestra
- Igor Stravinsky (conductor) & the Columbia
Symphony Orchestra for Stravinsky: Firebird
and Petrouchka Suites
- Best Classical Vocal Soloist Performance
- Francesco Molinari-Pradelli (conductor), Leontyne
Price, & the RCA Italiana Opera Orchestra for
Prima Donna, Volume 2
- Best Opera Recording
- Thomas Z. Shepard (producer), Pierre Boulez (conductor),
Walter Berry, Ingeborg Lasser, Isabel Strauss,
Fritz Uhl & the Paris National Opera
Orchestra & Chorus; for Berg: Wozzeck
- Best Classical Choral Performance (other than opera)
- Leonard Bernstein (conductor) & the London
Symphony Orchestra & Choir; for Mahler:
Symphony No. 8 in E Flat Major (Symphony of a
Thousand)
- Eugene Ormandy (conductor), Robert Page (choir
director), the Temple University Choir & the
Philadelphia Orchestra for Orff: Catulli
Carmina
- Best Classical Performance - Instrumental Soloist or
Soloists (with or without orchestra)
- Vladimir Horowitz for Horowitz in Concert (Haydn,
Schumann, Scriabin, Debussy, Mozart, Chopin)
- Best Chamber Music Performance
- Ravi Shankar & Yehudi Menuhin for West
Meets East
- Album of the Year, Classical
- John McClure (producer), Leonard Bernstein (conductor),
various artists & the London Symphony
Orchestra for Mahler: Symphony No. 8 (Symphony
of a Thousand)
- Thomas Z. Shepard (producer), Pierre Boulez (conductor),
Walter Berry, Ingeborg Lasser, Isabel Strauss,
Fritz Uhl, Choeur Nationale de Paris & the
Orchestra of Paris National Opera for Berg:
Wozzeck
Comedy
Composing and arranging
- Best Instrumental Theme
- Lalo Schifrin (composer) for "Mission:
Impossible"
- Best Original Score Written for a Motion Picture or a
Television Show
- Lalo Schifrin (composer) for Mission:
Impossible
- Best Instrumental Arrangement
- Burt Bacharach (arranger) for Alfie
- Best Instrumental Arrangement Accompanying Vocalist(s)/Best
Background Arrangement
- Jimmie Haskell (arranger) for "Ode to Billie
Joe" performed by Bobbie Gentry
Country
- Best Country & Western Solo Vocal Performance, Female;
- Tammy Wynette for "I Don't Wanna Play House"
- Best Country & Western Solo Vocal Performance, Male;
- Glen Campbell for "Gentle on My Mind"
- Best Country & Western Performance Duet, Trio or
Group (Vocal or Instrumental);
- Johnny Cash & June Carter for "Jackson"
- Best Country & Western Recording;
- Al De Lory (producer) & Glen Campbell for
"Gentle on My Mind"
- Best Country & Western Song;
- John Hartford (songwriter) for "Gentle on My
Mind" performed by Glen Campbell
Folk
- Best Folk Performance
- John Hartford for Gentle on My Mind
Gospel
- Best Gospel Performance
- Porter Wagoner & the Blackwood Brothers
Quartet for More Grand Old Gospel
- Best Sacred Performance
- Elvis Presley for How Great Thou Art
Jazz
- Best Instrumental Jazz Performance, Small Group or
Soloist With Small Group
- Cannonball Adderly Mercy, Mercy, Mercy
- Best Instrumental Jazz Performance, Large Group or
Soloist With Large Group
- Duke Ellington for "Far East Suite"
Musical Show
- Best Score From an Original Cast Show Album
- Fred Ebb & John Kander (composers), Goddard
Lieberson (producer) & the original cast for Cabaret
Packaging and Notes
- Best Album Notes
- John D. Loudermilk for Suburban Attitudes in
Country Verse
- Best Album Cover, Photography
- Robert Cato & John Berg (art directors) &
Roland Scherman (photographer) for Bob Dylan's
Greatest Hits performed by Bob Dylan
- Best Album Cover, Graphic Arts
- Jann Haworth & Peter Blake (art directors)
for Sgt. Pepper's Lonely Hearts Club Band
performed by The Beatles
Pop
- Best Vocal Performance, Female
- Bobbie Gentry for "Ode to Billie Joe"
- Best Vocal Performance, Male
- Glen Campbell for "By the Time I Get to
Phoenix"
- Best Performance by a Vocal Group
- 5th Dimension for "Up, Up and Away"
- Best Instrumental Performance (Other Than Jazz)
- Chet Atkins for Chet Atkins Picks the Best
- Best Performance by a Chorus
- Johnny Mann for "Up, Up and Away"
performed by the Johnny Mann Singers
- Best Contemporary Single
- Johnny Rivers & Marc Gordon (producers) &
5th Dimension for "Up, Up and Away"
- Best Contemporary Album
- George Martin (producer) & The Beatles for Sgt.
Pepper's Lonely Hearts Club Band
- Best Contemporary Female Solo Vocal Performance
- Bobbie Gentry for "Ode to Billie Joe"
- Best Contemporary Male Solo Vocal Performance
- Glen Campbell for "By the Time I Get to
Phoenix"
- Best Contemporary Group Performance (Vocal or
Instrumental)
- 5th Dimension for "Up, Up and Away"
Production and engineering
- Best Engineered Recording, Non-Classical
- Geoff E. Emerick (engineer) for Sgt. Pepper's
Lonely Hearts Club Band performed by The
Beatles
- Best Classical Engineered Recording
- Edward T. Graham (engineer) & the
Philadelphia Brass Ensemble for The Glorious
Sound of Brass
R&B
- Best Rhythm & Blues Recording;
- Aretha Franklin for "Respect"
- Best Rhythm & Blues Group Performance , Vocal or
Instrumental;
- Sam and Dave for "Soul Man"
- Best Female R&B Vocal Performance;
- Aretha Franklin for "Respect"
- Best Male R&B Vocal Performance;
- Lou Rawls for "Dead End Street"
Spoken
- Best Spoken Word, Documentary or Drama Recording
- Everett M. Dirksen for Gallant Men
1966 1968
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