Grammy Awards per l'anno 1976
Il 19° Grammy Awards fu tenuto il 19 Febbraio 1977. I
riconoscimenti riguardavano le realizzazioni dei musicisti per l'anno
precedente.
- Record of the Year
- Tommy LiPuma (producer) & George Benson for
"This Masquerade"
- Album of the Year
- Stevie Wonder (producer & artist) for Songs
in the Key of Life
- Song of the Year
- Bruce Johnston (songwriter) for "I Write the
Songs" performed by Barry Manilow
- Best New Artist
Children's
- Best Recording for Children
- Karl Bohm (conductor) & Hermione Gingold for Prokofiev:
Peter and the Wolf/Saint-Saëns: Carnival of the
Animals
Classical
- Best Classical Orchestral Performance
- Raymond Minshull (producer), Georg Solti (conductor)
& the Chicago Symphony Orchestra for Strauss:
Also Sprach Zarathustra
- Best Classical Vocal Soloist Performance
- Beverly Sills for Herbert: Music of Victor
Herbert
- Best Opera Recording
- Michael Woolcock (producer), Lorin Maazel (conductor),
Leona Mitchell, Willard White & the Cleveland
Orchestra for Gershwin: Porgy and Bess
- Best Choral Performance (other than opera)
- Andre Previn (conductor), Arthur Oldham (choir
director) & the London Symphony Orchestra
& Chorus; for Rachmaninoff: The Bells
- Best Classical Performance, Instrumental Soloist or
Soloists (with orchestra)
- Daniel Barenboim (conductor), Artur Rubinstein
& the London Philharmonic Orchestra for Beethoven:
The Five Piano Concertos
- Best Classical Performance, Instrumental Soloist or
Soloists (without orchestra)
- Vladimir Horowitz for Horowitz Concerts 1975/76
- Best Chamber Music Performance
- David Munrow (conductor) & the Early Music
Consort of London for The Art of Courtly Love
- Best Classical Album
- Max Wilcox (producer), Daniel Barenboim (conductor),
Artur Rubinstein & the London Philharmonic
for Beethoven: The Five Piano Concertos
Comedy
- Best Comedy Recording
- Richard Pryor for Bicentennial Nigger
Composing and arranging
- Best Instrumental Composition
- Chuck Mangione (composer) for Bellavia
- Album of Best Original Score Written for a Motion Picture
or Television Special
- Norman Whitfield (composer) for Car Wash
performed by various artists
- Best Instrumental Arrangement
- Chick Corea (arranger) for "Leprechaun's
Dream"
- Best Arrangement Accompanying Vocalist(s)
- James William Guercio & Jimmie Haskell (arrangers)
for "If You Leave Me Now" performed by
Chicago
- Best Arrangement for Voices (duo, group or chorus)
- Starland Vocal Band (arranger) for "Afternoon
Delight"
Country
- Best Country Vocal Performance, Female
- Emmylou Harris for Elite Hotel
- Best Country Vocal Performance, Male
- Ronnie Milsap for "(I'm a) Stand By My Woman
Man"
- Best Country Vocal Performance by a Duo or Group
- Amazing Rhythm Aces for "The End Is Not in
Sight (The Cowboy Tune)"
- Best Country Instrumental Performance
- Chet Atkins & Les Paul for Chester and
Lester
- Best Country Song
- Larry Gatlin (songwriter) for "Broken Lady"
Folk
- Best Ethnic or Traditional Recording
- John Hartford for Mark Twang
Gospel
- Best Gospel Performance (other than soul gospel)
- The Oak Ridge Boys for "Where the Soul Never
Dies"
- Best Soul Gospel Performance
- Mahalia Jackson for How I Got Over
- Best Inspirational Performance
- Gary S. Paxton for The Astonishing,
Outrageous, Amazing, Incredible, Unbelievable,
Different World of Gary S. Paxton
Jazz
- Best Jazz Vocal Album
- Ella Fitzgerald for Fitzgerald and Pass...Again
- Best Jazz Instrumental Performance, Soloist
- Count Basie for Basie and Zoot
- Best Instrumental Jazz Performance, Individual or Group
- Chick Corea for The Leprechaun
- Best Latin Jazz Performance
- Duke Ellington for The Ellington Suites
Latin
- Best Latin Recording
- Eddie Palmieri for Unfinished Masterpiece
Musical Show
- Best Musical Show Album
- Luigi Creatore (producer) for Bubbling Brown
Sugar performed by various artists
Packaging and Notes
- Best Album Package - Incl. Album Cover, Graphic Arts,
Photography
- John Berg (art director) for Chicago X
performed by Chicago
- Best Album Notes
- Dan Morgenstern (notes writer) for The
Changing Face of Harlem, the Savoy Sessions
performed by Various Artists
Pop
- Best Female Pop Vocal Performance
- Linda Ronstadt for Hasten Down the Wind
- Best Male Pop Vocal Performance
- Stevie Wonder for Songs in the Key of Life
- Best Pop Performance by a Duo or Group with Vocal
- Chicago for "If You Leave Me Now"
- Best Pop Instrumental Performance
- George Benson for Breezin'
Production and engineering
- Best Engineered Recording, Non-Classical
- Al Schmitt (engineer) for Breezin' performed
by George Benson
- Producer of the Year, Non-Classical
- Best Classical Engineered Recording
- Edward (Bud) T. Graham, Milton Cherin & Ray
Moore (engineers) for Gershwin: Rhapsody in
Blue performed by George Gershwin (1925
recording) & Columbia Jazz Band conducted by
Michael Tilson Thomas
R&B
- Best R&B Instrumental Performance;
- George Benson for "Theme From Good King
Bad"
- Best Female R&B Vocal Performance;
- Natalie Cole for "Sophisticated Lady (She's
a Different Lady)"
- Best Male R&B Vocal Performance;
- Stevie Wonder for "I Wish"
- Best R&B Performance by a Duo or Group with Vocal;
- Billy Davis Jr & Marilyn McCoo for "You
Don't Have to Be a Star (to Be in My Show)"
- Best R&B Song;
- Boz Scaggs & David Paich (songwriters) for
"Lowdown" performed by Boz Scaggs
Spoken
- Best Spoken Word or Non-musical Album
- James Earl Jones & Orson Welles for Great
American Documents
1975 1977
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