Grammy Awards per l'anno 1988
Il 31° Grammy Awards fu tenuto il 22 Febbraio 1989. I
riconoscimenti riguardavano le realizzazioni dei musicisti per l'anno
precedente.
- Record of the Year
- Linda Goldstein (producer) & Bobby McFerrin
for "Don't Worry, Be Happy"
- Album of the Year
- George Michael (producer & artist) for Faith
- Song of the Year
- Bobby McFerrin for "Don't Worry, Be Happy"
- Best New Artist
Blues
- Best Traditional Blues Recording
- Willie Dixon for Hidden Charms
- Best Contemporary Blues Recording
- The Robert Cray Band for "Don't Be Afraid of
the Dark "
Children's
- Best Recording for Children
- Ry Cooder (producer & composer), Mark
Sottnick (producer) & Robin Williams for Pecos
Bill
Classical
- Best Orchestral Recording
- Robert Woods (producer), Louis Lane, Robert Shaw
(conductors) & the Atlanta Symphony Orchestra
for Rorem: String Symphony; Sunday Morning;
Eagles
- Best Classical Vocal Soloist Performance
- Emerson Buckley (conductor), Luciano Pavarotti
& the Symphony Orchestra of Emilia Romagna
for Luciano Pavarotti in Concert
- Best Opera Recording
- Christopher Raeburn (producer), Georg Solti (conductor),
Plácido Domingo, Dietrich Fischer-Dieskau,
Siegmund Nimsgern, Jessye Norman, Eva Randova,
Hans Sotin, & the Vienna State Opera
Orchestra for Wagner: Lohengrin
- Best Choral Performance (other than opera)
- Robert Shaw (conductor) & the Atlanta
Symphony Orchestra & Chorus for Verdi:
Requiem & Operatic Choruses
- Best Classical Performance - Instrumental Soloist(s) (with
orchestra)
- Carlo Maria Giulini (conductor), Vladimir
Horowitz & the La Scala Opera Orchestra for Mozart:
Piano Concerto No. 23
- Best Classical Performance - Instrumental Soloist (without
orchestra)
- Alicia De Larrocha for Albeniz: Iberia,
Navarra, Suite Espagnola
- Best Chamber Music Performance
- David Corkhill, Evelyn Glennie, Murray Perahia
& Georg Solti for Bartók: Sonata for Two
Pianos & Percussion
- Best Contemporary Composition
- John Adams (composer), Edo De Waart (conductor)
& the San Francisco Symphony for Adams:
Nixon in China
- Best Classical Album
- Robert Woods (producer), Robert Shaw (conductor)
& the Atlanta Symphony Orchestra & Chorus;
for Verdi: Requiem & Operatic Choruses
Comedy
- Best Comedy Recording
- Robin Williams for Good Morning Vietnam
Composing and arranging
- Best Instrumental Composition
- Mike Post (composer) for "The Theme From LA
Law"
- Best Song Written Specifically for a Motion Picture or
Television
- Phil Collins and Lamont Dozier (songwriters) for
"Two Hearts" performed by Phil Collins
- Best Album or Original Instrumental Background Score
Written for a Motion Picture or Television
- David Byrne, Cong Su, and Ryuichi Sakamoto (composers)
for The Last Emperor
- Best Arrangement on an Instrumental
- Roger Kellaway (arranger) for "Memos From
Paradise" performed by Eddie Daniels
- Best Instrumental Arrangement Accompanying Vocal(s)
- Jonathan Tunick (arranger) for "No One Is
Alone" performed by Cleo Laine
Country
- Best Country Vocal Performance, Female
- Best Country Vocal Performance, Male
- Randy Travis for Old 8x10
- Best Country Performance by a Duo or Group with Vocal
- The Judds for "Give a Little Love"
- Best Country Vocal Collaboration
- k.d. lang & Roy Orbison for "Crying"
- Best Country Instrumental Performance (orchestra, group
or soloist)
- Asleep at the Wheel for "Sugarfoot Rag"
- Best Country Song
- K.T. Oslin (songwriter) for "Hold Me"
- Best Bluegrass Recording (vocal or instrumental)
- Bill Monroe for Southern Flavor
Folk
- Best Traditional Folk Recording
- Don DeVito, Harold Leventhal, Joe McEwen &
Ralph Rinzler (producers) for Folkways - A
Vision Shared: A Tribute to Woody Guthrie &
Leadbelly performed by various artists
- Best Contemporary Folk Recording
- Tracy Chapman for Tracy Chapman
Gospel
- Best Gospel Performance, Female
- Best Gospel Performance, Male
- Larnelle Harris for Christmas
- Best Gospel Performance by a Duo or Group, Choir or
Chorus
- The Winans for The Winans Live at Carnegie
Hall
- Best Soul Gospel Performance, Female
- Aretha Franklin for One Lord, One Faith, One
Baptism
- Best Soul Gospel Performance, Male
- BeBe Winans for "Abundant Life"
- Best Soul Gospel Performance by a Duo or Group, Choir or
Chorus
Historical
- Best Historical Album
- Bill Levenson (producer) for Crossroads
performed by Eric Clapton
Jazz
- Best Jazz Vocal Performance, Female
- Betty Carter for Look What I Got!
- Best Jazz Vocal Performance, Male
- Bobby McFerrin for Brothers
- Best Jazz Vocal Performance, Duo or Group
- Best Jazz Fusion Performance
- Yellowjackets for Politics
- Best Jazz Instrumental Performance, Soloist
- Michael Brecker for Don't Try This at Home
- Best Jazz Instrumental Performance, Group
- David Murray, McCoy Tyner, Pharoah Sanders, Cecil
McBee & Roy Haynes for Blues for Coltrane:
A Tribute to John Coltrane
- Best Instrumental Jazz Performance, Big Band
- Gil Evans & the Monday Night Orchestra for Bud
& Bird
Latin
- Best Latin Pop Performance
- Roberto Carlos for Roberto Carlos
- Best Tropical Latin Performance
- Rubén Blades for Antecedente
- Best Mexican-American Performance
- Linda Ronstadt for Canciones de Mi Padre
Musical Show
- Best Musical Cast Show Album
- Jay David Saks (producer), Stephen Sondheim (composer
& lyricist) & various artists for Into
the Woods
Music Video
- Best Concept Music Video
- Susan Zwerman (video producer), Jay Levey (video
director) & Weird Al Yankovic for "I'm
Fat"
- Best Performance Music Video
- Michael Hamlyn, Ben Dossett (video producers),
Meiert Avis (video director) & U2 for "Where
the Streets Have No Name"
New Age
- Best New Age Performance
- Shadowfax for Folksongs for a Nuclear Village
Packaging and Notes
- Best Album Package - Incl. Album Cover, Graphic Arts,
Photography
- Bill Johnson (art director) for Tired of
Runnin' performed by O'Kanes
- Best Album Notes
- Anthony DeCurtis (notes writer) for Crossroads
performed by Eric Clapton
Polka
- Best Polka Album
- Jimmy Sturr for Born to Polka
Pop
- Best Pop Vocal Performance, Female
- Tracy Chapman for "Fast Car"
- Best Pop Vocal Performance, Male
- Bobby McFerrin for "Don't Worry, Be Happy"
- Best Pop Performance by a Duo or Group with Vocal
- The Manhattan Transfer for Brasil
- Best Pop Instrumental Performance, Orchestra, Group or
Soloist
- David Sanborn for Close-up
Production and engineering
- Best Engineered Recording, Non-Classical
- Tom Lord-Alge (engineer) for Roll With It
performed by Steve Winwood
- Producer of the Year, Non-Classical
- Best Classical Engineered Recording
- Jack Renner (engineer), Robert Shaw (conductor)
& the Vienna Philharmonic for Verdi:
Requiem & Operatic Choruses
- Classical Producer of the Year
R&B
- Best R&B Vocal Performance, Female;
- Anita Baker for "Giving You the Best That I
Got"
- Best R&B Vocal Performance, Male;
- Terence Trent D'arby for Introducing the
Hardline According to Terence Trent D'arby
- Best R&B Performance by a Duo or Group with Vocal;
- Gladys Knight & The Pips; for Love
Overboard
- Best R&B Instrumental Performance;
- Chick Corea for "Light Years"
- Best R&B Song;
- Anita Baker, Skip Scarborough & Randy Holland
(songwriters) for "Giving You the Best That
I Got" performed by Anita Baker
Rap
- Best Rap Performance
- D.J. Jazzy Jeff & the Fresh Prince (Jeff
Thowes and Will Smith) for "Parent's Just
Don't Understand"
Reggae
- Best Reggae Recording
- Ziggy Marley & the Melody Makers for Conscious
Party
Rock
- Best Rock Vocal Performance, Female
- Tina Turner for Tina Live in Europe
- Best Rock Vocal Performance, Male
- Robert Palmer for "Simply Irresistible"
- Best Rock Performance by a Duo or Group with Vocal
- Best Rock Instrumental Performance (Orchestra, Group or
Soloist)
- Carlos Santana for Blues for Salvador
- Best Hard Rock/Metal Performance Vocal or Instrumental
- Jethro Tull for Crest of a Knave
Spoken
- Best Spoken Word or Non-musical Album
- Jesse Jackson for Speech by Rev. Jesse
Jackson
1987 1989
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